LOVELY
LIES
Film by
Marie Reichel
Alexander Martinz
Cosma Grosser
A film on sound material
Analog film,
16mm,
18min
on soundstock, bucket-developed.
Film and soundtrack deal with losing the object permanence gained in childhood. The text in the soundtrack negotiates rejecting the realizations of ever-recurring growing-up and changing the environment through the understanding of a finiteness of the self. Childhood places become dystopian worlds in constant repetition, an odyssey of change begins.
Marie Reichel
Alexander Martinz
Cosma Grosser
A film on sound material
Analog film,
16mm,
18min
on soundstock, bucket-developed.
Film and soundtrack deal with losing the object permanence gained in childhood. The text in the soundtrack negotiates rejecting the realizations of ever-recurring growing-up and changing the environment through the understanding of a finiteness of the self. Childhood places become dystopian worlds in constant repetition, an odyssey of change begins.
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Website owner:
Dipl.-Ing. Cosma Grosser
cosma.grosser@icloud.com
Vienna Austria
Unless otherwise indicated, this Web Site and its contents are the property of Cosma Grosser. The copyright and all other intellectual property rights in the material contained on this Web Site belong to Cosma Grosser. The copyright for any material created by the author is reserved.
This website uses cookies.
Website owner:
Dipl.-Ing. Cosma Grosser
cosma.grosser@icloud.com
Vienna Austria
Unless otherwise indicated, this Web Site and its contents are the property of Cosma Grosser. The copyright and all other intellectual property rights in the material contained on this Web Site belong to Cosma Grosser. The copyright for any material created by the author is reserved.
This website uses cookies.